For Rob and Joe, MetroSonic was the easy choice for recording most of the tracks for this album. The studio’s combination of relaxed ambience, professional crew, naturally-lit control room and killer vintage gear are features that have made the long process of recording guitars, bass and vocals an efficient and pleasurable experience. Now that they have been here for two months, it has become one of their favorite studios to work in.

Tracking started off with a sonicly booming bass played by Rob Caggiano. Rob played an ESP Vintage Four bass through a vintage Ampeg SVT that fed an 8 x 10 Ampeg cab. His mic choices were simple yet effective, using a Yamaha Sub-Kick for the low end and a Sennheiser 421 for the rest. Next was a week with Scott Ian bashing out rhythm guitar tracks on various songs. Scott played several different guitars, including a Gibson V and his signature Jackson SilverBurst. He also played through a selection of amps, mainly a Wizard, a Marshall Jubillee, and his own custom Randall Module, all through the Wizard 4 x 12.

The Damned Things shifted gears as Keith Buckley stepped into the booth to record vocals. Keith showed true musicianship, nailing songs left and right. Now in the final phase of the recording process, Joe Trohman and Rob Caggiano are shredding their parts to add a tasty thickness to the mix. Among Joe’s extensive guitar collection are three beauties that stand out; a ‘72 Telecaster with custom DeMarzio pickups, a stunning custom Zemaitis, and a ‘94 Guild. Joe’s choice amp thus far has been his Sunn Model T, running through an Orange 4 x 12 cab giving him the heavy fuzz he craves. Rob’s guitar arsenal is heavy-seated in ESP land. He shreds through his Fryette Deliverance amp into a Fryette 4 x 12 cab and a Wizard amp into a Wizard 4 x 12 cab, at the same time, creating heavy metal thunder loud enough to make the Gods of Hell cringe.

Stay tuned as The Damned Things finish up their session at MetroSonic Studios before embarking on a worldwide tour.
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What is not always recognized is that not all Vintage Gibsons are as valuable as people think. Your Gibson guitar may have been built between 1930 and 1970 but its condition, its history and the market that will determine the value and the price.

With that in mind I have prepared a short list of some of the more sought after models. This is by no means an extensive list  but it will give you an idea in which direction to look if you are a collector of Vintage Gibson guitars.

Perhaps the most famous of all is the Gibson Les Paul and the Les Paul series of guitars.

Les Paul (standard) Model Electric Solidbody 1957-1958 Goldtop and the 1958-1960 Sunburst with Humbucking pickups.

Flying V Electric Solidbody from 1958 to 1963,

Explorer Electric Solidbody from 1958 to 1963

Gibson Thinline Semi-Hollow Electric Archtops, ES-335, ES-345, ES-355 from 1958-1960

Vintage Electric Archtop Gibson ES-150 and ES-250 from 1938 to 1940

L-00 Flattop from 1932 to 1945

L-5, L-5P, L-5C Acoustic Archtop from1922 to 1970 Cutaway models are more valuable than the Non-cutaway models.

The most collectible Gibson Archtops are the larger models made from the early 1930’s to 1959.

Advanced Jumbo Flattop from 1935 to 1940

L-5CES (cutaway) Electric Archtop from 1950’s

Gibson guitars are truly handcrafted works of art made from the finest materials as well as being marvelous instruments which are sought after the world over. The rarer models are not always the most valuable. It is condition, history and actual demand that will govern their worth.

If you are looking for a Vintage Gibson guitar, try an auction. You can often pick up a good bargain, especially right now.

If you prefer the old style but wish to play a new instrument then the Vintage Original Spec range is what you should look at.

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